{"id":7342,"date":"2026-02-26T17:23:50","date_gmt":"2026-02-26T23:23:50","guid":{"rendered":"https:\/\/revistapantalla.com\/?p=7342"},"modified":"2026-02-26T17:23:51","modified_gmt":"2026-02-26T23:23:51","slug":"taquillometro-una-pelicula-mexicanas-en-top-10-de-taquilla-quieres-ser-mi-novia","status":"publish","type":"post","link":"https:\/\/revistapantalla.com\/?p=7342","title":{"rendered":"TAQUILL\u00d3METRO: una pel\u00edcula mexicanas en Top 10 de taquilla, \u00bfQuieres Ser mi Novia?"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aqu\u00ed la lista de la Semana, Top 10 de las pel\u00edculas m\u00e1s Taquilleras en M\u00e9xico. Dos son mexicanas:<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cumbres Borrascosas\/ 34.9 millones<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Cabra que Cambio el Juego \u2013 Goat \/ 19.9 millones<br><\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-medium-font-size wp-elements-5178439f962a1351c9ee41a0cab8b592 wp-block-paragraph\"><strong>\u00bfQuieres Ser mi Novia? \/ 19.3 millones\/ Mexicana<\/strong><br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El D\u00eda del Fin del Mundo: Migracion \/ 9.2 millones<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kill Bill: The Whole Blody Affair \/ 5.3 millones<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Libralos del Mal \/ 5.2 millones<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Caminos del Crimen \/ 3.3 millones<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Amelie y los Secretos de la Lluvia \/ 3.3 millones<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hamnet \/ 2.8 millones<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zootopia 2 \/ 2.13 millones<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Datos de Canacine con reporte de ComScore.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00bfQuieres Ser mi Novia? consigue 19.3 millones en taquilla, se ubica en el cuarto sitio del Top 10 de Taquilla<\/p>\n","protected":false},"author":2,"featured_media":7334,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7342","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/7342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7342"}],"version-history":[{"count":1,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/7342\/revisions"}],"predecessor-version":[{"id":7343,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/7342\/revisions\/7343"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/media\/7334"}],"wp:attachment":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7342"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7342"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}