{"id":7185,"date":"2026-02-19T21:31:53","date_gmt":"2026-02-20T03:31:53","guid":{"rendered":"https:\/\/revistapantalla.com\/?p=7185"},"modified":"2026-02-19T21:37:57","modified_gmt":"2026-02-20T03:37:57","slug":"gerardo-taracena-la-fuerza-indomita-en-pantalla-que-conquisto-espectadores-al-instante","status":"publish","type":"post","link":"https:\/\/revistapantalla.com\/?p=7185","title":{"rendered":"GERARDO Taracena, La Fuerza Ind\u00f3mita en Pantalla que conquist\u00f3 espectadores al instante"},"content":{"rendered":"\n<p>Por Jos\u00e9 Antonio Fern\u00e1ndez<\/p>\n\n\n\n<p>Gerardo Taracena se distingui\u00f3 siempre por ser La Fuerza Ind\u00f3mita en Pantalla que conquist\u00f3 espectadores el instante.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>No necesitaba decir una sola palabra para llenar la pantalla.<br><br><\/li>\n\n\n\n<li>Un gesto le bastaba para hacer notar, sacar una sonrisa al p\u00fablico o poner nerviosa a toda la sala.<br><br><\/li>\n\n\n\n<li>Hombre rudo, gal\u00e1n, varonil, de razgos ind\u00edgenas muy potentes, ten\u00eda el don tambi\u00e9n de ganarse el coraz\u00f3n de la audiencia al expresar culquier leve sonrisa.<br><br><\/li>\n\n\n\n<li>Temido por los buenos, tambi\u00e9n por los malos, sab\u00eda dar a sus personajes el don de su mirada.<br><br><\/li>\n\n\n\n<li>Luce en todos sus personajes, en La Carga es extraodinario, memorable por igual en Apocalypto.<br><\/li>\n<\/ul>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color wp-elements-cdb10307d92a6fd6c4e613ad8653cc86\">Con m\u00e1s de 50 pel\u00edculas y 20 series, enriqueci\u00f3 la pantalla del Nuevo Cine Mexicano, del cine de Hollywood y de la nueva era de la produccion de series para plataformas.<br><br><br><strong>\u00a1Ovaci\u00f3n para Gerardo Taracena!<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un gesto le bastaba para hacer notar, sacar una sonrisa al p\u00fablico o poner nerviosa a toda la sala.<\/p>\n","protected":false},"author":2,"featured_media":7180,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[126,80,110],"tags":[],"post_folder":[],"class_list":["post-7185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","category-jdrc","category-solo-para-fanaticos"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/7185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7185"}],"version-history":[{"count":1,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/7185\/revisions"}],"predecessor-version":[{"id":7186,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/7185\/revisions\/7186"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/media\/7180"}],"wp:attachment":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7185"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fpost_folder&post=7185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}