{"id":6658,"date":"2026-01-29T14:18:17","date_gmt":"2026-01-29T20:18:17","guid":{"rendered":"https:\/\/revistapantalla.com\/?p=6658"},"modified":"2026-01-29T14:18:18","modified_gmt":"2026-01-29T20:18:18","slug":"producir-y-producir-es-la-clave-mayor-para-que-standuperos-conquisten-audiencia-en-youtube-tik-tok-netflix","status":"publish","type":"post","link":"https:\/\/revistapantalla.com\/?p=6658","title":{"rendered":"PRODUCIR y producir, es la clave mayor para que standuperos conquisten audiencia en YouTube, Tik Tok, Netflix\u2026"},"content":{"rendered":"\n<p>Por Juan Ibarg\u00fcengoitia<\/p>\n\n\n\n<p>Y los standuperos YouTubers tuvieron un momento clave para atraer a la audiencia, pero no les est\u00e1 siendo f\u00e1cil mantener el paso de producir, producir, producir y producir contenidos sin detenerse.<br><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Las televisoras cuentan con su propia estructura de producci\u00f3n que no para, sus presupuestos les permiten ser verdaderas f\u00e1bricas de contenido en vivo a diario.<br><br><br><\/li>\n\n\n\n<li>Hay casos sorprendentes como el Canal 6 Multimedios que llega a producir en vivo m\u00e1s de 15 horas por d\u00eda. Eso es un reto pr\u00e1cticamente imposible de cumplir para la comunidad de YouTubers.<br><\/li>\n<\/ul>\n\n\n\n<p>Los YouTubers standuperos encontraron que presentar una producci\u00f3n semanal les est\u00e1 resultando un modelo bastante atractivo. Hacer m\u00e1s de plano no es un sue\u00f1o conseguible, a menos de que se lancen con producciones en vivo como el noticiero de Poncho Guti\u00e9rrez, Manuel Pedrero, Los Periodistas\u2026<br><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Las televisoras cuentan con su propia estructura de producci\u00f3n que no para, sus presupuestos les permiten ser verdaderas f\u00e1bricas de contenido en vivo a diario.<\/p>\n","protected":false},"author":2,"featured_media":6649,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[80,110,125],"tags":[],"post_folder":[],"class_list":["post-6658","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jdrc","category-solo-para-fanaticos","category-television"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/6658","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6658"}],"version-history":[{"count":1,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/6658\/revisions"}],"predecessor-version":[{"id":6659,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/6658\/revisions\/6659"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/media\/6649"}],"wp:attachment":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6658"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6658"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6658"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fpost_folder&post=6658"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}