{"id":6449,"date":"2026-01-22T21:38:27","date_gmt":"2026-01-23T03:38:27","guid":{"rendered":"https:\/\/revistapantalla.com\/?p=6449"},"modified":"2026-01-22T21:38:58","modified_gmt":"2026-01-23T03:38:58","slug":"taquillometro-una-pelicula-mexicana-en-top-10-de-taquilla-la-celda-de-los-milagros","status":"publish","type":"post","link":"https:\/\/revistapantalla.com\/?p=6449","title":{"rendered":"TAQUILL\u00d3METRO: Una pel\u00edcula mexicana en Top 10 de taquilla, La Celda de los Milagros"},"content":{"rendered":"\n<p><br><br>Aqu\u00ed la lista de la Semana, Top 10 de las m\u00e1s Taquilleras. Una es mexicana:<br><br><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Avatar: Fuego y Cenizas \/ 165.2 millones<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Zootopia 2 \/ 53 millones<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Bob Esponja en Busca de los Pantalones Cuadrados \/ 35.8 millones<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Anaconda \/ 32.3 millones<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>La Empleada \/ 34.8 millones<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Five Nights at Freddy\u2019s 2 \/ 10.5 millones<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>La Celda de los Milagros \/ 6.4 millones<\/strong> (Pel\u00edcula Mexicana)<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Valor Sentimental \/ 3.5 millones<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Eternidad \/ 2.8 millones<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Song Sung Blue \/ 4.4 millones<br><\/li>\n<\/ul>\n\n\n\n<p>Datos de Canacine con reporte de ComScore.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Celda de los Milagros \/ 6.4 millones (Pel\u00edcula Mexicana)<\/p>\n","protected":false},"author":2,"featured_media":6435,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[126,80],"tags":[],"post_folder":[],"class_list":["post-6449","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","category-jdrc"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/6449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6449"}],"version-history":[{"count":1,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/6449\/revisions"}],"predecessor-version":[{"id":6450,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/6449\/revisions\/6450"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/media\/6435"}],"wp:attachment":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6449"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6449"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6449"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fpost_folder&post=6449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}