{"id":6441,"date":"2026-01-22T21:13:56","date_gmt":"2026-01-23T03:13:56","guid":{"rendered":"https:\/\/revistapantalla.com\/?p=6441"},"modified":"2026-01-22T21:14:41","modified_gmt":"2026-01-23T03:14:41","slug":"profesionales-de-la-television-medios-publicos-en-mexico-viven-buenos-tiempos","status":"publish","type":"post","link":"https:\/\/revistapantalla.com\/?p=6441","title":{"rendered":"PROFESIONALES de la Televisi\u00f3n,\u00a0medios p\u00fablicos en M\u00e9xico viven buenos tiempos"},"content":{"rendered":"\n<p>Por Juan Ibarg\u00fcengoitia<\/p>\n\n\n\n<p>Y los medios p\u00fablicos en M\u00e9xico viven buenos tiempos, a\u00fan cuando se crea que no operan con los presupuestos suficientes.<br><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Los medios p\u00fablicos cuentan hoy con profesionales de la televisi\u00f3n que realizan sus contenidos, programan y administran sus instalaciones y fondos.<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Cuando la promoci\u00f3n de un medio p\u00fablico y sus producciones son manejadas por profesionales, el p\u00fablico no percibe diferencias mayores con la televisi\u00f3n privada. Lo que s\u00ed deben cuidar quienes producen las campa\u00f1as promocionales de los medios p\u00fablicos y programas, es la calidad.<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>El buen gusto de las escenograf\u00edas, mejor cuando son luminosas, y\u2028la calidad de los contenidos, son dos cualidades que distinguen a los medios p\u00fablicos.<br><\/li>\n<\/ul>\n\n\n\n<p>Los presupuestos para los medios p\u00fablicos dif\u00edcilmente ser\u00e1n mayores, requieren adaptarse a lo que reciben y cuidarlo bien.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Los presupuestos para los medios p\u00fablicos dif\u00edcilmente ser\u00e1n mayores, requieren adaptarse a lo que reciben y cuidarlo bien<\/p>\n","protected":false},"author":2,"featured_media":6431,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[80,110],"tags":[],"post_folder":[],"class_list":["post-6441","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jdrc","category-solo-para-fanaticos"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/6441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6441"}],"version-history":[{"count":1,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/6441\/revisions"}],"predecessor-version":[{"id":6442,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/6441\/revisions\/6442"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/media\/6431"}],"wp:attachment":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6441"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6441"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6441"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fpost_folder&post=6441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}