{"id":6061,"date":"2026-01-13T21:53:32","date_gmt":"2026-01-14T03:53:32","guid":{"rendered":"https:\/\/revistapantalla.com\/?p=6061"},"modified":"2026-01-13T22:56:26","modified_gmt":"2026-01-14T04:56:26","slug":"diana-garay-amc-es-cierto-que-en-el-set-se-viven-muchas-tensiones-pero-siempre-se-debe-mantener-el-trato-humano","status":"publish","type":"post","link":"https:\/\/revistapantalla.com\/?p=6061","title":{"rendered":"DIANA Garay AMC: es cierto que en el set se viven muchas tensiones, pero siempre se debe mantener el trato humano"},"content":{"rendered":"\n<p>Por Bernarda Bermeo<\/p>\n\n\n\n<p>DIANA Garay, Presidenta de la AMC, explica a detalle en entrevista en el Museo Franz Mayer, en la exposici\u00f3n La mirada fija de la AMC, apoyada por EFD Studios:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Es cierto que en el set se viven muchas tensiones, pero hay que mantener siempre la buena educaci\u00f3n Cinefot\u00f3graf@s debe ser buenos seres humanos tambi\u00e9n en el set.<\/li>\n<\/ul>\n\n\n\n<p>Aqu\u00ed la video\/entrevista de Jos\u00e9 Antonio Fern\u00e1ndez con Diana Garay, Presidenta de la AMC, Asociaci\u00f3n Mexicana de Cinefotograf\u00eda.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Diana Garay: cinefot\u00f3graf@s tambi\u00e9n deben de ser buenos seres humanos en el set. Entrevista JAF\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/v9-Bz-DEg7U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Cinefot\u00f3graf@s debe ser buenos seres humanos tambi\u00e9n en el set.<\/p>\n","protected":false},"author":2,"featured_media":5430,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[126,79,110],"tags":[],"post_folder":[],"class_list":["post-6061","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","category-mdedp","category-solo-para-fanaticos"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/6061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6061"}],"version-history":[{"count":2,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/6061\/revisions"}],"predecessor-version":[{"id":6075,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/6061\/revisions\/6075"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/media\/5430"}],"wp:attachment":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6061"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fpost_folder&post=6061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}