{"id":6010,"date":"2026-01-11T21:40:16","date_gmt":"2026-01-12T03:40:16","guid":{"rendered":"https:\/\/revistapantalla.com\/?p=6010"},"modified":"2026-01-11T21:41:57","modified_gmt":"2026-01-12T03:41:57","slug":"el-buen-trato-en-el-set-debe-ser-lo-que-siempre-suceda-sin-falta-diana-garay-amc-apertura","status":"publish","type":"post","link":"https:\/\/revistapantalla.com\/?p=6010","title":{"rendered":"EL buen trato en el set, debe ser lo que siempre suceda, sin falta: Diana Garay AMC \/ Apertura"},"content":{"rendered":"\n<p>Por Bernarda Bermeo<\/p>\n\n\n\n<p>DIANA Garay, Presidenta de la AMC, explica a detalle en entrevista en el Museo Franz Mayer, en la exposici\u00f3n La mirada fija de la AMC, apoyada por EFD Studios:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Es cierto que en el set se viven muchas tensiones, pero hay que mantener siempre la buena educaci\u00f3n.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Cinefot\u00f3graf@s debe ser buenos seres humanos tambi\u00e9n en el set.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Aqu\u00ed la video\/entrevista de Jos\u00e9 Antonio Fern\u00e1ndez con Diana Garay, Presidenta de la AMC, Asociaci\u00f3n Mexicana de Cinefotograf\u00eda.<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Diana Garay: cinefot\u00f3graf@s tambi\u00e9n deben de ser buenos seres humanos en el set. Entrevista JAF\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/v9-Bz-DEg7U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En el set se viven muchas tensiones, pero hay que mantener siempre la buena educaci\u00f3n<\/p>\n","protected":false},"author":2,"featured_media":5430,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[126,62,110,125,1],"tags":[],"class_list":["post-6010","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","category-semanario-pantalla","category-solo-para-fanaticos","category-television","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/6010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6010"}],"version-history":[{"count":2,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/6010\/revisions"}],"predecessor-version":[{"id":6012,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/6010\/revisions\/6012"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/media\/5430"}],"wp:attachment":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}