{"id":5958,"date":"2026-01-07T18:12:23","date_gmt":"2026-01-08T00:12:23","guid":{"rendered":"https:\/\/revistapantalla.com\/?p=5958"},"modified":"2026-01-07T18:24:36","modified_gmt":"2026-01-08T00:24:36","slug":"videostaff-promueve-camara-sony-fx6-garantizando-imagenes-nitidas-y-detalladas","status":"publish","type":"post","link":"https:\/\/revistapantalla.com\/?p=5958","title":{"rendered":"VIDEOSTAFF promueve c\u00e1mara SONY FX6, garantizando im\u00e1genes n\u00edtidas y detalladas"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Fuente: RevistaPantalla.com \/ TecnoC\u00e1psulas<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Las Tiendas VideoStaff, que dirigen Gabriela Salda\u00f1a y Rosa Mar\u00eda Santos, promueven una ampl\u00edsima variedad de equipos con disponibilidad inmediata para te- levisoras, productores independientes, cinefot\u00f3graf@s, vide\u00f3grafos, YouTubers, influencers, iglesias, centros de capacitaci\u00f3n&#8230;<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color has-medium-font-size wp-elements-d6ccbb72830e0c89048025bc1a661576 wp-block-paragraph\"><strong>C\u00e1mara Sony FX6<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Confirma la excelencia de la l\u00ednea Cinema Sony<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>C\u00e1maras SONY FX6, FX3 y FX30, dise\u00f1adas para llevar las producciones a la pantalla grande con calidad profesional. Entre sus caracter\u00edsticas principales:<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Calidad de imagen excepcional: Tanto la FX6 como la FX3 cuentan con sensores Full-Frame de 12.1 MP, la FX30 incorpora un sensor APS-C de 26 MP, garantizando im\u00e1genes n\u00edtidas y detalladas.&nbsp;<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Alta velocidad de fotogramas: Graba en 4K hasta 120 fps y en Full HD hasta 240 fps, capturando cada detalle en movimientos r\u00e1pidos.&nbsp;<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Amplio rango din\u00e1mico: Con m\u00e1s de 15 pasos de rango din\u00e1mico, profundidad y detalle sorprendente.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Tecnolog\u00eda S-Cinetone: Permite obtener tonos de piel naturales y una est\u00e9tica cinematogr\u00e1fica directamente desde la c\u00e1mara.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.videostaff.com.mx\">VideoStaff <\/a>es Expositor de la Expo Cine Video Televisi\u00f3n, la Expo de la Revista TelemundoCine \/ <a href=\"https:\/\/www.revistapantalla.com\">RevistaPantalla.com<\/a> que se presenta en su Nueva Era \/ <a href=\"https:\/\/www.expopantalla.com\">ExpoPantalla<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tanto la FX6 como la FX3 cuentan con sensores Full-Frame de 12.1 MP, la FX30 incorpora un sensor APS-C de 26 MP<\/p>\n","protected":false},"author":2,"featured_media":5365,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[132,121,78,89,110,67],"tags":[],"class_list":["post-5958","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-camaras","category-compra-de-equipo","category-mdetec","category-noticias-de-los-expositores","category-solo-para-fanaticos","category-videostaff"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/5958","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5958"}],"version-history":[{"count":2,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/5958\/revisions"}],"predecessor-version":[{"id":5969,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/5958\/revisions\/5969"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/media\/5365"}],"wp:attachment":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5958"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5958"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5958"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}