{"id":5524,"date":"2025-12-28T20:54:42","date_gmt":"2025-12-29T02:54:42","guid":{"rendered":"https:\/\/revistapantalla.com\/?p=5524"},"modified":"2025-12-28T20:55:37","modified_gmt":"2025-12-29T02:55:37","slug":"epigmenio-ibarra-argos-tiene-experiencia-y-creatividad-para-continuar-produciendo-series-para-mexico-y-eu","status":"publish","type":"post","link":"https:\/\/revistapantalla.com\/?p=5524","title":{"rendered":"EPIGMENIO Ibarra: Argos tiene experiencia y creatividad para continuar produciendo series para M\u00e9xico y EU"},"content":{"rendered":"\n<p>Por Juan Ibarg\u00fcengoitia<\/p>\n\n\n\n<p>Explica Epigmenio Ibarra en entrevista para la Revista TelemundoCine \/ RevistaPantalla.com: Argos tiene estabilidad, determinaci\u00f3n y firmeza para continuar produciendo para M\u00e9xico y Estados Unidos. Atinaron al desarrollar CasAzul, su centro de formaci\u00f3n de actores.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Argos busca todo el tiempo escritores, libretos y contenidos.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Tal y como sucede con protagonistas de Hollywood, el que Epigmenio Ibarra sea muy activo en la pol\u00edtica de su pa\u00eds no le quita la posibilidad de tambi\u00e9n seguir muy activo en la producci\u00f3n de series y telenovelas (en Hollywood esa oportunidad es sagrada, la respetan por la persecuci\u00f3n que vivieron luego de la Segunda Guerra Mundial; nadie censura a nadie por su actividad en la pol\u00edtica dentro de sus pa\u00edses).<\/li>\n<\/ul>\n\n\n\n<p>Epigmenio Ibarra estren\u00f3 ya sus dos temporadas de la nueva versi\u00f3n de Mirada de mujer que causa gran expectativa, con Ang\u00e9lica Rivera La Gaviota como protagonista. La nueva serie se llama Con la misma mirada.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Argos busca todo el tiempo escritores, libretos y contenidos<\/p>\n","protected":false},"author":2,"featured_media":5426,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[62,110,125],"tags":[],"post_folder":[],"class_list":["post-5524","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-semanario-pantalla","category-solo-para-fanaticos","category-television"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/5524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5524"}],"version-history":[{"count":2,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/5524\/revisions"}],"predecessor-version":[{"id":5526,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/5524\/revisions\/5526"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/media\/5426"}],"wp:attachment":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5524"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fpost_folder&post=5524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}