{"id":4335,"date":"2025-11-30T12:49:08","date_gmt":"2025-11-30T18:49:08","guid":{"rendered":"https:\/\/revistapantalla.com\/?p=4335"},"modified":"2025-12-01T00:14:57","modified_gmt":"2025-12-01T06:14:57","slug":"fujifilm-mexico-promueve-gfx-eterna-sensor-de-gran-formato-gfx-102mp-cmos-ii-hs","status":"publish","type":"post","link":"https:\/\/revistapantalla.com\/fujifilm-mexico-promueve-gfx-eterna-sensor-de-gran-formato-gfx-102mp-cmos-ii-hs\/","title":{"rendered":"FUJIFILM M\u00e9xico promueve GFX ETERNA,\u00a0sensor de gran formato GFX 102MP CMOS II HS"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fuente:&nbsp;<a href=\"http:\/\/revistapantalla.com\/\">RevistaPantalla.com<\/a>&nbsp;\/ TecnoC\u00e1psulas<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fujifilm M\u00e9xico presenta la primera c\u00e1mara de cine digital de Fujifilm, es la nueva Fujifilm GFX Eterna. Ya Fujifilm cuenta con una importante abanico de productos que seducen a los profesionales del cine, el video y la televisi\u00f3n por su calidad y versatilidad, como su serie de c\u00e1maras sin espejo de la l\u00ednea X y sus lentes Fujinon Premista.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-link-color wp-elements-6d8d7b01a37dd6eef2c5f5fef426cc5d wp-block-paragraph\">Fujifilm GFX ETERNA<\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-e5d473f4b0cda6570d017202d5d3f8e8 wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;La c\u00e1mara Fujifilm GFX ETERNA trae el sensor de gran formato GFX 102MP CMOS II HS, es aproximadamente 1.7 veces m\u00e1s grande que un sensor de fotograma completo Full Frame de 35 mm.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;La combinaci\u00f3n del sensor de gran formato GFX 102MP CMOS II HS con el procesador de imagen de alta velocidad X-Processor 5 permite a los cineastas crear im\u00e1genes ricas y realistas con la nueva c\u00e1mara Fujifilm GFX ETERNA, lo que da mayor flexibilidad en la postproducci\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;El procesador de imagen de alta velocidad X-Processor 5 (es el mis- mo que utiliza la c\u00e1mara Fujifilm GFX100 II).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;La c\u00e1mara GFX ETERNA es para montura G nativa, con un adaptador PL removible. Tiene todo para lograr el anhelado Look Cinematogr\u00e1fico.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">FujiFilm M\u00e9xico&nbsp;<a href=\"http:\/\/tiendafujifilm.com.mx\/\">tiendafujifilm.com.mx<\/a>&nbsp;es Expositor de la Expo Cine Video Televisi\u00f3n, la Expo de la Revista TelemundoCine \/&nbsp;<a href=\"http:\/\/revistapantalla.com\/\">RevistaPantalla.com<\/a>&nbsp;que se presenta en su Nueva Era \/ ExpoPantalla&nbsp;<a href=\"http:\/\/expopantalla.com\/\">expopantalla.com<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a1Estamos listos para 2026!&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La primera c\u00e1mara de cine digital de Fujifilm, es la nueva Fujifilm GFX Eterna<\/p>\n","protected":false},"author":2,"featured_media":4367,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[76,101,78,89,62],"tags":[81],"class_list":["post-4335","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-destacada","category-fujifilm-mexico","category-mdetec","category-noticias-de-los-expositores","category-semanario-pantalla","tag-camara"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapantalla.com\/wp-json\/wp\/v2\/posts\/4335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapantalla.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapantalla.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/wp-json\/wp\/v2\/comments?post=4335"}],"version-history":[{"count":2,"href":"https:\/\/revistapantalla.com\/wp-json\/wp\/v2\/posts\/4335\/revisions"}],"predecessor-version":[{"id":4415,"href":"https:\/\/revistapantalla.com\/wp-json\/wp\/v2\/posts\/4335\/revisions\/4415"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/wp-json\/wp\/v2\/media\/4367"}],"wp:attachment":[{"href":"https:\/\/revistapantalla.com\/wp-json\/wp\/v2\/media?parent=4335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapantalla.com\/wp-json\/wp\/v2\/categories?post=4335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapantalla.com\/wp-json\/wp\/v2\/tags?post=4335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}