{"id":3604,"date":"2025-11-12T21:40:38","date_gmt":"2025-11-12T21:40:38","guid":{"rendered":"https:\/\/revistapantalla.com\/?p=3604"},"modified":"2025-11-24T22:39:56","modified_gmt":"2025-11-24T22:39:56","slug":"joaquin-cosio-el-mejor-actor-de-reparto-del-cine-mexicano","status":"publish","type":"post","link":"https:\/\/revistapantalla.com\/?p=3604","title":{"rendered":"Joaqu\u00edn Cos\u00edo: el mejor actor de reparto del cine mexicano"},"content":{"rendered":"\n<p>A sus personajes los hace siempre protagonistas<\/p>\n\n\n\n<p>Joaqu\u00edn Cos\u00edo considera que ha tenido una vida afortunada. En 2008 recibi\u00f3 uno de esos regalos que todo actor sue\u00f1a: interpretar al villano en&nbsp;<em>Quantum of Solace<\/em>, la pel\u00edcula de James Bond distribuida a nivel mundial.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/revistapantalla.com\/wp-content\/uploads\/2025\/11\/James-bond-Joaquin.webp\" alt=\"\" class=\"wp-image-3605\" srcset=\"https:\/\/revistapantalla.com\/wp-content\/uploads\/2025\/11\/James-bond-Joaquin.webp 600w, https:\/\/revistapantalla.com\/wp-content\/uploads\/2025\/11\/James-bond-Joaquin-300x200.webp 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<p>Desde su aparici\u00f3n en&nbsp;<em>Matando Cabos<\/em>&nbsp;(2004), Cos\u00edo se ha convertido en uno de los int\u00e9rpretes m\u00e1s solicitados del cine mexicano. Es contratado una y otra vez, a\u00f1o tras a\u00f1o. Participa en al menos tres largometrajes por temporada, lo que significa que en dos d\u00e9cadas ha dado vida a m\u00e1s de sesenta personajes, tanto en cine como en series, entre ellas&nbsp;<em>Las Muertas<\/em>.<\/p>\n\n\n\n<p>Considero que Joaqu\u00edn Cos\u00edo es el mejor actor de reparto del cine mexicano contempor\u00e1neo. Tiene una fuerza en pantalla \u00fanica: la llena, la domina. Cada personaje que interpreta lo vuelve inolvidable, consigue que incluso los secundarios se transformen en protagonistas.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"540\" src=\"https:\/\/revistapantalla.com\/wp-content\/uploads\/2025\/11\/matando-cabos-1024x540.jpg\" alt=\"\" class=\"wp-image-3606\" srcset=\"https:\/\/revistapantalla.com\/wp-content\/uploads\/2025\/11\/matando-cabos-1024x540.jpg 1024w, https:\/\/revistapantalla.com\/wp-content\/uploads\/2025\/11\/matando-cabos-300x158.jpg 300w, https:\/\/revistapantalla.com\/wp-content\/uploads\/2025\/11\/matando-cabos-768x405.jpg 768w, https:\/\/revistapantalla.com\/wp-content\/uploads\/2025\/11\/matando-cabos.jpg 1100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Su creaci\u00f3n m\u00e1s emblem\u00e1tica sigue siendo Mascarita, de&nbsp;<em>Matando Cabos<\/em>. Pero tambi\u00e9n brilla con luz propia como el Cochiloco en&nbsp;<em>El Infierno<\/em>, en&nbsp;<em>La Dictadura Perfecta<\/em>,&nbsp;<em>Belzebuth<\/em>,&nbsp;<em>Las Muertas<\/em>&nbsp;y&nbsp;<em>El Poderoso Victoria<\/em>.<\/p>\n\n\n\n<p>En cada una de ellas, Joaqu\u00edn Cos\u00edo demuestra que un gran actor no necesita ser el protagonista para adue\u00f1arse de la historia.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Joaqu\u00edn Cos\u00edo es, sin duda, el mejor actor de reparto del cine mexicano. Su fuerza en pantalla convierte cada papel en protagonista. Desde Matando Cabos hasta El Infierno o El Poderoso Victoria, su presencia magn\u00e9tica lo ha vuelto indispensable en m\u00e1s de sesenta producciones.<\/p>\n","protected":false},"author":1,"featured_media":3607,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[62],"tags":[83],"post_folder":[],"class_list":["post-3604","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-semanario-pantalla","tag-cine-mexicano"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/3604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3604"}],"version-history":[{"count":2,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/3604\/revisions"}],"predecessor-version":[{"id":3609,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/3604\/revisions\/3609"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/media\/3607"}],"wp:attachment":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3604"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fpost_folder&post=3604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}