{"id":28314,"date":"2026-07-26T21:08:12","date_gmt":"2026-07-27T03:08:12","guid":{"rendered":"https:\/\/revistapantalla.com\/?p=28314"},"modified":"2026-07-26T21:08:15","modified_gmt":"2026-07-27T03:08:15","slug":"taquillometro-ninguna-pelicula-del-top-10-de-taquilla-es-mexicana-la-odisea-es-numero-uno-y-conquista-al-publico","status":"publish","type":"post","link":"https:\/\/revistapantalla.com\/?p=28314","title":{"rendered":"TAQUILL\u00d3METRO: Ninguna pel\u00edcula del Top 10 de Taquilla es mexicana, La Odisea es N\u00famero Uno y conquista al p\u00fablico"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Ninguna es\u00a0mexicana:<br><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>La Odisea \/ 131.83 millones<br><br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Toy Story 5 \/ 52.45 millones<br><br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Minions &amp; Monstruos \/ 34.55 millones<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Moana \/ 26.32 millones<br><br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Evil Dead: En Llamas \/ 8.18 millones<br><br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>La Invitacion \/ 9.94 millones<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>El D\u00eda de la Revelaci\u00f3n \/ 3.02 millones\u00a0<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Obsesion \/ 1.76 millones<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Supergirl \/ 1.04 millones<br><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Backrooms: Sin Salida \/ 0.66 millones<br><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Datos de Canacine con reporte de ComScore.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Odisea (2026) es una \u00e9pica de acci\u00f3n y fantas\u00eda dirigida por Christopher Nolan y fotografiada por Hoyte van Hoytema. La pel\u00edcula adapta la cl\u00e1sica obra de Homero sobre el largo viaje del rey de \u00cdtaca para regresar a su hogar tras la guerra de Troya<\/p>\n","protected":false},"author":2,"featured_media":28236,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[126,62,110],"tags":[],"class_list":["post-28314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","category-semanario-pantalla","category-solo-para-fanaticos"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/28314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28314"}],"version-history":[{"count":1,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/28314\/revisions"}],"predecessor-version":[{"id":28315,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/28314\/revisions\/28315"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/media\/28236"}],"wp:attachment":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=28314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=28314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}