{"id":27574,"date":"2026-06-25T22:53:39","date_gmt":"2026-06-26T04:53:39","guid":{"rendered":"https:\/\/revistapantalla.com\/?p=27574"},"modified":"2026-06-25T22:55:46","modified_gmt":"2026-06-26T04:55:46","slug":"cafe-chairel-ganadora-del-festival-pantalla-de-cristal-numero-dos-del-top-5-en-taquilla-de-peliculas-nuevo-cine-mexicano","status":"publish","type":"post","link":"https:\/\/revistapantalla.com\/?p=27574","title":{"rendered":"CAF\u00c9 Chairel ganadora del Festival Pantalla de Cristal, N\u00famero Dos del Top 5 Taquilla de pel\u00edculas Nuevo Cine Mexicano"},"content":{"rendered":"\n<p class=\"has-vivid-red-color has-text-color has-link-color has-medium-font-size wp-elements-c9602de74be01414732a55bcf4bdf641 wp-block-paragraph\"><strong>Top 5 Taquilla de pel\u00edculas del Nuevo Cine Mexicano<br><\/strong><br><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1 En el camino \/ 2,179 asistencia <\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2 Caf\u00e9 Chairel\u00a0\u00a0\/ 962 asistencia<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>3 Binniza: Los seres de las Nubes \/ 325 asistencia<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>4 O \u00faltimo azul \/ 303 asistencia<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>5 El fin de las primeras veces \/ 277 asistencia<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Caf\u00e9 Chairel la protagonistan Mauricio Isaac y Tessa \u00cda, cont\u00f3 con el apoyo de Eficine Producci\u00f3n. Es una pel\u00edcula sorprendente, el p\u00fablico se ve obligado a armar un rompecabezas que cada minuto que pasa despierta m\u00e1s su inter\u00e9s y sus interrogantes tambi\u00e9n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Caf\u00e9 Chairel la protagonistan Mauricio Isaac y Tessa \u00cda, cont\u00f3 con el apoyo de Eficine Producci\u00f3n. Es una pel\u00edcula sorprendente, el p\u00fablico se ve obligado a armar un rompecabezas que cada minuto que pasa despierta m\u00e1s su inter\u00e9s y sus interrogantes tambi\u00e9n <\/p>\n","protected":false},"author":2,"featured_media":27559,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[126,80,110],"tags":[],"class_list":["post-27574","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","category-jdrc","category-solo-para-fanaticos"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/27574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27574"}],"version-history":[{"count":2,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/27574\/revisions"}],"predecessor-version":[{"id":27576,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/27574\/revisions\/27576"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/media\/27559"}],"wp:attachment":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=27574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=27574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}