{"id":15942,"date":"2026-04-12T22:01:41","date_gmt":"2026-04-13T04:01:41","guid":{"rendered":"https:\/\/revistapantalla.com\/?p=15942"},"modified":"2026-04-12T22:03:46","modified_gmt":"2026-04-13T04:03:46","slug":"eduardo-castro-la-casa-productora-fabula-desarrolla-ya-11-proyecto-en-su-sede-en-mexico-entre-peliculas-y-series-aqui-video-entrevista","status":"publish","type":"post","link":"https:\/\/revistapantalla.com\/?p=15942","title":{"rendered":"EDUARDO Castro: la casa productora F\u00e1bula desarrolla ya 11 proyectos en su sede en M\u00e9xico, entre pel\u00edculas y series. Aqu\u00ed video\/entrevista"},"content":{"rendered":"\n<p>or Bernarda Bermeo<br><\/p>\n\n\n\n<p>F\u00e1bula M\u00e9xico desarrolla 11 proyectos de series y pel\u00edculas en M\u00e9xico, se trata de una relevaci\u00f3n del mayor inter\u00e9s de Eduardo Castro, en entrevista con Jos\u00e9 Antonio Fern\u00e1ndez, en la Cena Noche de Canacine.<br><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>F\u00e1bula es la casa productora de Pablo Larra\u00edn y socios, ganaron el Oscar por la cinta Una mujer fant\u00e1stica, tambi\u00e9n realizaron el largometraje No, estelarizado por Gael Garc\u00eda Bernal.<br><\/li>\n\n\n\n<li>Eduardo Castro lleva la batuta de la casa productora F\u00e1bula en M\u00e9xico.<br><\/li>\n\n\n\n<li>Est\u00e1n abiertos a escuchar propuestas y a realizar corpoducciones.<br><\/li>\n\n\n\n<li>F\u00e1bula tiene su propia f\u00f3rmula, desarrollan los proyectos, los cuidam desde el inicio.<br><\/li>\n\n\n\n<li>En M\u00e9xico est\u00e1n realizando dos producciones por a\u00f1o.<br><\/li>\n\n\n\n<li>Considera que los 32 estados que componen M\u00e9xico dan una gran riqueza para contar historias, hay una variedad de locaciones extraordinarias, m\u00e1s todo la gran infraestructura de servicios a la producci\u00f3n.<\/li>\n<\/ul>\n\n\n\n<p>Aqu\u00ed la entrevista de Jos\u00e9 Antonio Fern\u00e1ndez con Eduardo Castro, en la que cuenta el extraordinario desempe\u00f1o que ha tenido la casa productora F\u00e1bula en M\u00e9xico.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Eduardo Castro \/ Fa\u0301bula Me\u0301xico\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/M8cfnV9CAz4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Considera que los 32 estados que componen M\u00e9xico dan una gran riqueza para contar historias, hay una variedad de locaciones extraordinarias, m\u00e1s toda la gran infraestructura de servicios a la producci\u00f3n.<\/p>\n","protected":false},"author":2,"featured_media":15893,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[126,137,62,110,125],"tags":[],"post_folder":[],"class_list":["post-15942","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","category-plataformas","category-semanario-pantalla","category-solo-para-fanaticos","category-television"],"acf":[],"_links":{"self":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/15942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15942"}],"version-history":[{"count":3,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/15942\/revisions"}],"predecessor-version":[{"id":15945,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/posts\/15942\/revisions\/15945"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=\/wp\/v2\/media\/15893"}],"wp:attachment":[{"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15942"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15942"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/revistapantalla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fpost_folder&post=15942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}